The ancient Celtic thresholds of liminal time and space

Top Image : Callanish Stones

The ‘Veil of Isis’ is an ancient metaphor and allegorical motif of mythology where nature is personified as the goddess Isis covered by a veil representing the mystery and inaccessibility of nature's infinite secrets. In mythology and religion liminal deities, like Isis, were gods or goddesses who presided over thresholds, gates, or doorways: the crossers of boundaries. While at the simplest level these deities could be called guardians of the passage to the underworld, in crossing the threshold between life and death the ancient cultures of Scotland and Ireland also worshiped a range of seasonal cyclical liminal deities. The crumbling ruins of Neolithic burial chambers and Bronze Age stone circles that encrust the Celtic landscape, deliver fragments of evidence at several archaeological sites, that collectively reveal just how textured the ancient world was with a range of conceptual veils .

Nature is personified by the goddess Artemis, and is revealing itself to a personified science, by Jan Luyken. Frontispiece to the book “Anatome AnimaliumNature is personified by the goddess Artemis, and is revealing itself to a personified science, by Jan Luyken. Frontispiece to the book “Anatome Animalium" by Gerhard Blasius

The Annual Veils Of Ancient Celtic Agriculture

October 31 is Halloween, or All Saint’s Day, which is a Christianized festival with Celtic origins. While pumpkins (originally turnips) are carved today by families wearing ghoulish costumes, back in pre-Christian days this date was Samhain ( SAH-win). Nicholas Rogers’ 2002 book Samhain and the Celtic Origins of Halloween . Halloween: From Pagan Ritual to Party Night explains that on this date the conceptual veil between this world and others was believed to be at its thinnest. While this fact relating to the date of Halloween is fairly widespread, what not so many people consider is that many of the standing stone monuments and massive stone built burial chambers of Scotland and Ireland were themselves ‘veils’ standing on the borders of liminal worlds, and dates.

The Gaelic festival Samhain fell on October 31, beginning at sunset and continuing until sunset on November 1 (All Saint ’s Day), approximately halfway between the autumn equinox and the winter solstice. Thus, the date marked the end of the harvest season and the beginning of the winter, or ‘dark half’ of the year. Samhain was one of the four primary Celtic seasonal festivals, alongside Imbolc (February 1), Beltane (May 1) and Lughnasadh (August 1). Together these four sacred dates, with their cosmic origins, marked the four conceptual corners of the circular year.

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By Ashley Cowie / Historian and Documentarian

Ashley is a Scottish historian, author and documentary filmmaker presenting original perspectives on historical problems, in accessible and exciting ways. His books, articles and television shows explore lost cultures and kingdoms, ancient crafts and artefacts, symbols and architecture, myths and legends telling thought-provoking stories which together offer insights into our shared social history.In his 20's Ashley was based in Caithness on the north east coast of Scotland and walked thousands of miles across ancient Neolithic landscapes collecting flint artefacts, which led to the discovery of significant Neolithic settlements. Having delivered a series of highly acclaimed lectures on the international Science Festival Circuit about his discoveries, he has since written four bestselling non-fiction books. Elected as a member of the Society of Antiquaries of Scotland, incorporated by Royal Charter in 1783, Ashley has been involved in a wide range of historical and scientific research projects which are detailed on this website – www.ashleycowie.com.In 2009 Ashley became resident Historian on STV’s The Hour Show and has since featured as an expert Historian on several documentaries. Ashley’s own documentaries have been watched by an estimated 200 million people and currently air in over 40 countries. NBC’s Universal’s hit-adventure show ‘Legend Quest’ follows Ashley’s global hunt for lost artefacts and is watched by over 5 million viewers in Australia, Asia and Europe every week. In North America, PBS’s ‘Great Estates’ was in Amazon’s top-ten “most downloaded documentaries 2016” and has been watched by an estimated 150 million people.

(Source: ancient-origins.net; August 20, 2021; https://tinyurl.com/njzefdcb)
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